Through The Eyes of Women: Female Photography of Iran and the Arab World

One of arts essential qualities is its ability to break molds. Stereotypes are perpetuated through media and other outlets that shape and decide our knowledge for us. It is up to the individual to look past these so-called norms and search for a brighter and more honest truth. One place where we can find this truth is in the art produced by a society or culture. Media tends to express only one viewpoint, and most often it is not even coming from a direct source. Artists are by nature a direct source for commentary on their surroundings and the ideologies of those surroundings. They live and breathe these experiences that they choose to share with the rest of the world. Through examining various artists and their experiences, an outsider is allowed to see the world through their eyes.

A common stereotype revolves around the role and experience of women in Iran and some neighboring Arab countries. They are often seen as sufferers of oppression and strict lifestyle. While this may be the common experience, it is not the only experience of these women.

On view now at the Cantor Arts Center at Stanford University in Palo Alto, California is She Who Tells A Story, a telling exhibit comprising of 12 female photographers from Iran and the Arab world. The 81 works that make up this exhibit deal with issues such as identity, representation, and war in daily life. Instead of viewing themselves as oppressed, these women represent themselves as powerful females despite their surroundings. They do not hide the truths of their situation, as they want the world to know their experience. However, they do not want that to be their only representation.

The photographers featured in this exhibition are Jananne Al-Ani, Boushra Almutawakel, Gohar Dashti, Rana El Nemr, Lalla Essaydi, Shadi Ghadirian, Tanya Habjouqa, Rula Halawani, Nermine Hammam, Rania Matar, Shirin Neshat, and Newsha Tavakolian. Each photographer’s work tells a different story resulting in an all-around expression of female experience. While Shirin Neshats photographs deal with the woman’s role and participation in the Iranian Revolution, Shadi Ghadirian’s photographs of women dressed in traditional attire surrounded by forbidden objects juxtapose the woman’s struggle to keep her tradition while chasing after her freedom.

Not only does each artists deal with a slightly different aspect of these over riding themes, what makes these works so unique is the fact that ever woman has a different story; her own story. Through producing these works they allow us to see into their lives and into the lives of women like them. All equally different, but common in their strive to not be marginalized.

Art has the ability to change perceptions. It is powerful and essential in keeping the world honest and pure. When in doubt, read between the paint strokes.

She Who Tells A Story: Woman Photographers from Iran and the Arab World
January 28 – May 4, 2015 at Cantor Arts Center, Stanford University

Importance of Photojournalism: 30 Years in Iran

The medium of photography is unique in its ability to capture reality. While that is less true of modern day photography with its ability to be altered, edited, and selectively shot, photographs are none the less imprints of something real. The power of a photograph can move people to see and feel things in new ways, different ways, and ways they never imagined. It allows us to see people, places, and things that are out of our immediate reach. Fashion photography shows us the beautiful and desired. Travel photography allows us to roam the world without ever having to leave our home. Personal photography enables us to capture our favorite moments and physically immortalize them. Last but not least, photojournalism opens the doors between borders, cultures, and governments. Photojournalism can range between political to historic. Some photojournalism is even accidental, unaware of its impact or importance. If one was to define it, you could say it is a form of journalism that uses photography to tell a story.

In the case of U.S photojournalist Randy Hope Goodman, she has traveled to Iran several times throughout her lifetime in order to photograph citizens and their daily lives. By going to Iran at variously different periods of time, she was able to capture a multifaceted view of this country.

Her first time visiting Iran was in 1979 during the post-revolution period. She was there when a group of students seized the U.S embassy in Tehran. On another visit, she got the opportunity to tour the Iran-Iraq war zone, which led her to the most exclusive liberty of photographing Imam Khomeini, the founder of the Islamic Republic of Iran. She proudly notes that she was the only American photojournalist to ever photograph Khomeini. Most of her other subject matter revolved around soldiers as well as civilians in their daily lives and how they were impacted during the Iran-Iraq war and the Islamic Revolution. After 30 years since her first visit, Goodman is returning back to Iran to take photographs and compare the past and present. Whether this project will be on going for the journalist, or this trip will close the series, this body of work that spans across 30 years of Iranian history will be iconic in its nature and content.

Photojournalists like Goodman are the reason people from all different parts of the world can be represented and no longer kept invisible to the public sphere. Her work allows us access to a part of the world that some of us may never see. Some journalists risk and dedicate their lives to their work, making sure that the truth is represented. It is their bravery that gives their work its meaning and honesty.

Goodman hopes to one day turn her body of work into a book. We cannot be sure what story this book will tell, but we can be sure that it will be one we do not want to miss.

Click here to view Goodmans’ images of Iran

Portals by art collective Shared Studios

We may not be as close to cracking the science of teleportation, but the technology of the 21st century has allowed us to get pretty close. With the invention of texting, video chat, face time, and social media as a whole, more than ever, we’re able to cross the boundaries of the world. Without the need for physical travel, people from all over the world have been able to connect with each other. This process of globalization has opened many new doors in the world of business, economy, politics, as well as the arts.

A recent art project led by the contemporary art company Shared Studios launched their project Portals in December 2014. Portals is an international installation piece, comprising of two gold painted shipping containers placed on opposite sides of the world ¬¬– one in Tehran and the other in New York City. Inside each shipping container is a camera and a large screen which streams live to the other container. Viewers are invited to come into the container and for 15 minutes speak to a stranger on the other side of the world. One of the most fascinating aspects of this project is what participants choose to talk about. The relationship between America and Iran has not always been the greatest politically or socially, however the words exchanged between participants have not been ones of hatred or criticism. Instead they have been ones of curiosity and admiration. Most participants have chosen to exchange questions about each other’s lives. Common topics include childhood, hobbies, desires, future goals, or shared interests. Despite the vast cultural differences between these two peoples, many participants from both countries have come to realize how many similarities we share as human beings. Artworks like this that comment on human connection and the global sphere are essential to the attempt to bring understanding and acceptance between varying cultures on a social and political level.

Over 650 people have participated in this project so far, each leaving with a difference experience. While some walked out of the container laughing and filled with joy, others came out weeping and overwhelmed. The range of emotions to come out of a project like this one are always unpredictable. Coming face-to-face with a stranger from a part of the world we would never have had the chance to meet outside of this project is revolutionary and powerful in itself. While countries will always have their borders, due to the innovative technology of our time, there will no longer be borders between people. This art project is only the beginning for this type of global expansion, and while there is much work to be done, the art world is as good a place as any to start.

Click here to read an article on NPR transcribing one of these encounters

A-Portal-Between-Tehran-NYC-2

Festival of Iranian Films 2015

Hailing from Iran, artistic director Kaveh Daneshmand holds the 4th edition of the Festival of Iranian Films (FIF) in Prauge, Czech Republic. The film buff first started the festival in his 20’s and has watched it grow over the years into a full-fledged competitive film event.

The theme of this year’s festival is “Rebels of Iranian Cinema”, which will comprise of 20 films competing in four separate categories: Feature Film, Out of Competition, Documentary, and Short Film. Winners will be based off of various factors such as the top pick of the audience as well as a Jury panel of highly credited and important persons in both the Iranian and Czech film/TV world. With over 150 films being made in the Islamic Republic every year, there is something to be said about the importance and effect of these chosen 20 films. Most of the films featured are made with an extremely low budget, and therefore are not chosen or judged based on their wow factor or political effect. Instead, the films are chosen based on “high artistic values and a brave approach to their subject matter”.

Daneshmand notes the difference between the current young filmmakers claiming, “unlike the previous generation, this one is not going through metaphors: They go straight to the heart of the topic.” This rebellious and straightforward vision of the young generation of filmmakers may have been what inspired the theme of this year’s festival. One possible reason for this new wave of directness may relate to the recent leniency from the Culture and Islamic Guidance Ministry, which requires all scripts to be approved before release. One film that has been creating a lot of buzz since it’s release in 2013 is Shahram Mokri’s film Fish & Cat (Mahi Va Gorbeh). The movie is filmed in one long single take and depicts a restaurant that serves human flesh. Seen as a more provocative film, the Ministry did allow the film to be screened in selected theatres for a short time, resulting in sold-out screenings all over Iran. One of the most known films featured in this year’s festival is the dark vampire flick titled A Girl Walks Home Alone At Night, which has already been screened across the world including in the United States. Iranian- American director Lilly Amirpour is one of many female directors whose films are featured in this year’s festival; Daneshmand noting that one-quarter of Iranian filmmakers are in fact women.

This year the festival will take place not only in Prague where it originated, but it is to be extended to the city of Brno. This extension shows just how popular and respected this festival is in the Czech Republic, and its success in representing and exposing Iranian films and filmmakers to a wider audience.

Fourth Festival of Iranian Films
When: Jan. 7–11 in Prague; Jan. 13–15 in Brno
Where: Kino Světozor and Bio Oko in Prague; Kino Scala in Brno
Tickets: 100–110 Kč
Iranianfilmfestival.cz

via www.praguepost.com

Tehran Art News // 17 October 2014

Tehran Art News // 17 October 2014

The city of Tehran boasts a vibrant art scene for the end of October!

Aaran Gallery // Cut Papers
An exhibition of the works of Kamran Diba
October 17 – October 31, 2014

Golestan Gallery
Painting Exhibition by Oldooz Robatian
October 17 – October 22, 2014

Haft Samar Gallery
An exhibition of the works of Mehrzad Sotoot
October 17 – October 22, 2014

[Image credit: Aaran Gallery/Kamran Diba]

Tehran Art News // 29 August 2014

Tehran Art News // 29 August 2014

The city of Tehran boasts a vibrant art scene – here’s a selection of galleries with exhibitions going on in September!

Mah Art Gallery
Mah Gallery’s Summer Exhibition is a group show featuring 51 artists
Exhibition runs from August 15 – September 15, 2014
http://www.mahartgallery.com/en/

Homa Art Gallery
“Flower ? Flower” By Saleh Sharifi
August 29 – September 9, 2014
http://www.homaartgallery.com/en/_default.aspx

Golestan Gallery
Jewelry Exhibition of Reyhaneh Raei
August 29 – September 3, 2014
http://golestangallery.com/

Aun Gallery
Solo Exhibition
“Untitled” by Khosrow Hassanzadeh
August 29 – September 21, 2014
http://www.aungallery.com/

First International Gallery Exposition in Tehran

The International Gallery Exposition, the first of its kind in Iran displaying works from 24 world galleries, began yesterday in Tehran’s Qasr Garden Museum.

Twenty four galleries from different countries are displaying about 300 valuable artworks at the exposition, the museum Managing Director Mohammadreza Saeidi said in a press conference on Tuesday.

A painting by Pablo Picasso, two works by Joan Miro, and two sculptures by Salvador Dali are seen among the items on show, he added.

The artworks have come from Spain, Peru, South Korea, Japan, Italy, Turkey and several other countries.

Several gallery owners, artists and art experts are also in Tehran aiming to be more in direct contact with Iranian artists. “They want to gain access to the source of Iranian artworks,” he said.

He added that no Iranian galleries are attending the program, however, works by several Iranian artists, including Jalal Shabahangi, Reza Kianian, Hamid Pazoki, Ahmad Vakili and Ali Shirazi can be seen on display.

“We did not plan to put works on sale, however if any individual would like to acquire any of the works, the selling prices are available,” he mentioned.

Picasso’s painting with 2.8 million dollars is the highest priced at the exhibit.

Saeidi also explained that over the past six months, foreign experts have visited the location of the museum, prepared films and photos for their gallery owners, and finally approved the location, which has been improved based on world standards.

Each gallery knew in advance the exact location in the museum where their works would be displayed, he added.

The exhibition will run until July 4, and has been organized by the Nasl-e Aftab Cultural and Sport Institute, an Iranian NGO, to raise funds for people suffering from rare diseases.

Mayjune Gallery from South Korea, Palma Arte Gallery from Italy, Petit Atelier from France, the National Gallery of Izmir from Turkey and Uniplastic Gallery from Switzerland are among the participating galleries.

The catalogue of the exhibit will be published in two volumes.

[Source: Tehran Times] [Image credit: Iran – International Gallery Exposition Facebook Event Page]

Third Tehran Auction | 2014

The third Tehran Auction will take place this Friday, May 30, at Tehran’s Hotel Parsian Azadi. The auction will feature works by the great established names of Iranian contemporary art, such as Parviz Tanavoli, Aydin Aghdashloo, Sohrab Sepehri, Mohammad Ehsai, Charles Hossein Zenderoudi, and Farideh Lashai, as well as emerging artists.

The lots will be available for viewing today and tomorrow, and the auction begins on Friday at 6 PM local (Tehran) time. There is a beautifully rendered digital catalogue accessible through their site, here.

The Tehran Auction is a privately developed initiative organized by former head of the Tehran Museum of Contemporary Art, Dr. Alireza Samiazar. It began as “an endeavour to fulfill the increasing interest in modern and contemporary Iranian art and to facilitate the acquisition of the best quality works of various genres. It also aims to support the domestic art market as a key basis for the international market.”

Our very own director, Homa Taraji is currently in Tehran, in support of the auction so hopefully we will have exciting information and images for you, soon!

Last year’s auction sold out the entire collection, generating 2.1 million dollars (65,450,000,000 Rials)! You can watch the auction live, here, to see what this year’s auction brings in.

Tehran Graphic Design Week, 2014

The Tehran Graphic Design Week opened at the Iranian Artists Forum on Sunday with a display of posters by a group of young artists in an exhibition entitled “Minus 30”.

Works by 168 graphic designers aged less than 30 and all coming from across Iran have been put on show at the exhibit, the forum reported in a press release on Sunday.

All the works on display have been selected by a jury panel including Qobad Shiva, Majid Abbasi, Alireza Mostafazadeh and Tahereh Mohebbi.

A solo exhibition displaying works by veteran graphic designer Abbas Saranj has also been set up, while an honoring program has been arranged on the sidelines of the exhibit.

In addition, a selection of works by German graphic designer Fons Matthias Hickmann (born 1966) has been put on display in an exhibition on the side section.

Hickmann is a professor of communication design at the Berlin University of the Arts. He founded “Fons Hickmann M23” studio which focuses on the design of complex communication systems.

The exhibit will be running for one week in the forum located on Musavi St., off Taleqani Ave.

The weeklong program has been organized by the Iranian Graphic Designers Society under the auspices of the International Council of Graphic Design Associations (Icograda) to celebrate April 27, which is World Graphic Design Day.

[Source: Tehran Times; Image source: Tehran Graphic Design Week Facebook]