[via Tehran Times]Paintings by a group of veteran Iranian modern artists will be put on display in an exhibition at Tehran’s Mojdeh Gallery on Friday.
Works by 29 artists, who have had major roles in influential movements in Iran’s contemporary art, have been selected for the exhibit, curator Mojdeh Tabatabaii said in a press release on Tuesday.
Works by Sohrab Sepehri, Hossein Zendehrudi, Parviz Kalantari, Gholamhossein Nami, Qobad Shiva, Ahmad Esfandiari and Farideh Lashaii are seen among the selected works, she said.
The collection contains different styles of paintings, such as figurative, naturalism and surrealism, that have been created with other different techniques.
Tabatabaii also added that the artworks will be offered at reasonable prices providing the facility for people from all walks of life who would like to have artwork in their homes.
The exhibit will be running for 10 days in the gallery, which is located on 18th St., North Allameh, in the Sadatabad.
Author Archives: Tara Gallery
Tehran Art News // 01 August 2014
Tehran Art News // 01 August 2014
The city of Tehran boasts a vibrant art scene – here’s a selection of galleries with exhibition openings this week!
Shirin Art Gallery
Solo Painting Exhibition By NANE HASSAN (MONAVAR RAMEZANI)
Opening: On Friday August 1st, 2014 from 4:00 to 8:00 pm
The exhibition is on view through August 6th, from 11 am to 8 pm
Daryabeigi Gallery
Solo Painting Exhibition By Behnam Samari
Opening: Friday, August 1, 2014
Tarahan e Azad Gallery
Solo Photography Exhibition
“Pulse” by Milad Houshmandzadeh
Opening: Friday, August 1, 2014
Negah Gallery
Solo Painting Exhibition by Sara Ashrafi
Opening: Thursday, July 31, 2014
http://negahartgallery.com/
Golestan Gallery
Group Exhibition
“100 Works, 100 Artists”
Opening: Friday, August 1, 2014
The show features works by contemporary artists including Sohrab Sepehri, Mohammad Ehsaii, Parviz Kalantari and Mehdi Hosseini have been selected for the exhibition.
http://golestangallery.com/
Elahe Gallery
Persbook Art’s 5th Annual Contemporary Art Workshop
Starting August 10th
http://persbookart.com/
Open Call: MOPCAP 2015
Magic of Persia announces an open call to Iranian artists around the world for their annual Contemporary Art Prize. Read below to learn about the Prize and eligibility requirements. Best of luck to all applicants!
[Source: Magic of Persia]THE VISION
The Magic of Persia Contemporary Art Prize (MOP CAP) is a worldwide search for the next generation of contemporary Iranian visual artists who have the potential to make a significant impact in their field. The goal of the prize is to provide an opportunity for emerging artists to gain international exposure, and to engage in artistic experimentation and cultural exchange. Through its archival material, including an online artist database and printed publications, MOP CAP aims to provide an educational interchange and contribute to the development of Iranian art and culture.THE PROCESS
MOP CAP is open to young, emerging Iranian visual artists, living in and outside of Iran, through an online application. The profiles of all eligible entrants to the open call are reviewed by the MOP CAP Selection Committee, and a shortlist of up to 21 artists is compiled.The MOP CAP Shortlist Exhibition in Dubai showcases works of the selected artists, at which time the Judging Panel meet to deliberate on, and choose, up to seven Finalists. Subsequently, an exhibition of the Finalists’ work is held in London, where the Judging Panel meet once again to select the MOP CAP Winner.
Throughout the process, the Selection Committee are available to the artists for guidance, should they request it.
THE PRIZE
The MOP CAP Winner receives a one-year mentorship with a London-based curator, resulting in a solo-project at a leading gallery space in London; as well as a three-month residency at the Delfina Foundation.ENTRY CRITERIA
Artists must apply through an online open call via the MOP CAP website. The next open call will be held 1-31 July 2014.
Eligible applicants are:
of Iranian origin, living in or outside of Iran;
35 years or younger at the time of application;
yet to have had a solo-exhibition outside of their country of residence;
not represented by any galleries outside of Iran.
Each applicant must submit the following with their application, with all text submitted in English:An up to date CV that details the exhibitions that you have participated in;
A biography, of up to 1,000 words, including education and personal history;
A video of up to 3 minutes in which you further discuss your practice (this video can be in either Farsi or English);
High resolution images or videos of between 3 – 5 artworks, including a description of each work.
New York Gallery features Iranian Art
Located in New York City, the Taymour Grahne Gallery seeks to “highlight artists from across the world, including the Middle East, Africa, South East Asia, South America and their Diasporas.” Fixed Unknowns is currently on view from July 14 – September 6, 2014 and features the work of Kamrooz Aram, Shirana Shahbazi, and Hannah Whitaker. Read more about the show in the press release before, courtesy of the Taymour Grahne Gallery.
[Source: Taymour Grahne Gallery] [Image: Kamrooz Aram | Untitled (Palimpsest #20) | 2013 | Oil, oil pastel + wax pencil on canvas]PRESS RELEASE
The red eye of a flower escapes from its stem, multiplies and migrates across the canvas. Three spheres of uncertain scale hover over a black field, as marbles poised to be dispersed, or planetary bodies frozen in orbit. A circle acts as the aperture through which we see–and as the subject pictured.The works by Kamrooz Aram, Shirana Shahbazi, and Hannah Whitaker in Fixed Unknowns draw upon classical genres of image-making—the portrait, the landscape, the still life. Each artist introduces a syntax: a repeated grid of floral motifs lifted from a Persian carpet; an overlapping series of geometric planes; a pattern sourced from a Bauhaus textile, hand-cut on a screen. They trouble the seeming fixity of these repeating designs, and their attendant politics and histories, through near-erasures and imperfect cover-ups.
Whitaker sees the film plane as a formal system, and as a site to “foster confusion.” She places paper screens in the body of the camera, which obstruct the light and allow for various visual vocabularies to coexist. Shahbazi’s geometric compositions appear digitally rendered, but are in fact produced through multiple exposures of three-dimensional objects. With each installation, she regroups the works, playing with “how the photographs question each other, enrich each other.” Aram describes his paintings as “unstable,” as he in turn inscribes, coats over, scratches away, glosses, and smears his canvas: each “erasure always leaves its own mark.”
About the Curators
Ava Ansari is an artist and curator. She has previously worked at Basement Gallery, Dubai, and Silk Road Gallery, Tehran. As an artist, she has presented work at Dixon Place, La Mama, Eyebeam, the AC Institute, among others. Ava is the co-director of The Back Room, a curatorial and pedagogical project, facilitating exchanges between artists in Iran and the US. She is the manager of the Edge of Arabia US Tour.
Molly Kleiman is a deputy editor of Triple Canopy, a magazine that advances a model for publication that encompasses digital works of art and literature, public conversations, exhibitions, and books. She is co-director of The Back Room, a curatorial and pedagogical project facilitating exchanges between artists in the US and Iran. She teaches at NYU’s Gallatin School for Individual Study.
About the Artists
Kamrooz Aram received his MFA from Columbia University in 2003. Recent solo and two-person exhibitions include Palimpsest: Unstable Paintings for Anxious Interiors at Green Art Gallery (Dubai, UAE); Kamrooz Aram/Julie Weitzat The Suburban (Chicago, Illinois, 2013); Brute Ornament: Kamrooz Aram and Seher Shah, curated by Murtaza Vali, at Green Art Gallery (Dubai, UAE, 2012); Negotiations at Perry Rubenstein Gallery (New York, 2011); Generation After Generation, Revolution after Revelation at LAXART (Los Angeles, 2010); and Kamrooz Aram: Realms and Reveries at the Massachusetts Museum of Contemporary Art (North Adams, Massachusetts, 2006). He has shown in numerous group exhibitions including Beauty Reigns: A Baroque Sensibility in Recent Painting at McNay Art Museum (San Antonio, 2014); roundabout, City Gallery (Wellington, New Zealand, 2010); the Busan Biennale (2006); P.S.1/MoMA’s Greater New York 2005; and the Prague Biennale I (2003). Aram is one of the winners of the Abraaj Group Art Prize 2014. His work can be found in public collections, including the Metropolitan Museum of Art, New York; the Cincinnati Art Museum, Cincinnati, OH; and M+, Hong Kong. He lives and works in Brooklyn, NY.
Shirana Shahbazi studied photography at the Fachhochschule Dortmund, Germany, and Hochschule für Gestaltung und Kunst in Zurich, Switzerland. She has had solo exhibitions at The New Museum (New York); The Hammer Museum (Los Angeles); Fotomuseum Winterthur (Winterthur); Barbican Art Gallery (London); Galerie Bob van Orsouw (Zurich); Swiss Institute (New York); Centre Culturel Suisse (Paris); Museum Boijmans van Beuningen (Rotterdam); among others. Recent group exhibitions include New Photography 2012, The Museum of Modern Art (New York). Shahbazi lives and works in Zurich.
Hannah Whitaker is an artist and a contributing editor for Triple Canopy. Recent exhibitions include solo shows at M+B (Los Angeles), Galerie Christophe Gaillard (Paris), Thierry Goldberg (New York), Locust Projects (Miami), and Rencontres d’Arles in France, where she was nominated for the Discovery Prize. She co-edited Issue 45 of Blind Spot magazine and co-curated its accompanying show at Invisible Exports in New York. Her work is currently on view on billboards in Cincinnati as a part of a yearlong public art exhibition organized by the Cincinnati Art Museum. She is based in Brooklyn.
Mashhad to host International Symposium on Contemporary Sculpture
Interesting news via the Tehran Times – we’ll update with more information as it comes in.
[Source: Tehran Times] [Image credit: Padide Art]The city of Mashhad will be playing host to an international symposium on contemporary sculpture in August.
Organized by Padide Shandiz Dream City, a tourist site near Mashhad, the symposium will be held in the city from August 16 to September 5, secretary of the symposium said in a press conference on Monday.
A number of Iranian and foreign sculptors have been invited to attend the symposium, he added, giving no specific names for the sculptors.
In addition, young talented artists are asked to participate in the event, he said.
The festival aims to promote visual arts, train young creative talents, redecorate the city, and also boost tourism in the region, he remarked.
He further noted that 35 works will be selected for the symposium, and the final selected works will be displayed across the city.
The best top three sculptures will be announced during the closing ceremony at the end of the symposium. The first place winner will receive a $12,000 cash prize, the second $10,000, and the third $7,000.
First International Gallery Exposition in Tehran
[Source: Tehran Times] [Image credit: Iran – International Gallery Exposition Facebook Event Page]The International Gallery Exposition, the first of its kind in Iran displaying works from 24 world galleries, began yesterday in Tehran’s Qasr Garden Museum.
Twenty four galleries from different countries are displaying about 300 valuable artworks at the exposition, the museum Managing Director Mohammadreza Saeidi said in a press conference on Tuesday.
A painting by Pablo Picasso, two works by Joan Miro, and two sculptures by Salvador Dali are seen among the items on show, he added.
The artworks have come from Spain, Peru, South Korea, Japan, Italy, Turkey and several other countries.
Several gallery owners, artists and art experts are also in Tehran aiming to be more in direct contact with Iranian artists. “They want to gain access to the source of Iranian artworks,” he said.
He added that no Iranian galleries are attending the program, however, works by several Iranian artists, including Jalal Shabahangi, Reza Kianian, Hamid Pazoki, Ahmad Vakili and Ali Shirazi can be seen on display.
“We did not plan to put works on sale, however if any individual would like to acquire any of the works, the selling prices are available,” he mentioned.
Picasso’s painting with 2.8 million dollars is the highest priced at the exhibit.
Saeidi also explained that over the past six months, foreign experts have visited the location of the museum, prepared films and photos for their gallery owners, and finally approved the location, which has been improved based on world standards.
Each gallery knew in advance the exact location in the museum where their works would be displayed, he added.
The exhibition will run until July 4, and has been organized by the Nasl-e Aftab Cultural and Sport Institute, an Iranian NGO, to raise funds for people suffering from rare diseases.
Mayjune Gallery from South Korea, Palma Arte Gallery from Italy, Petit Atelier from France, the National Gallery of Izmir from Turkey and Uniplastic Gallery from Switzerland are among the participating galleries.
The catalogue of the exhibit will be published in two volumes.
Behind the Scenes at Tehran Auction 2014
As we wrote last week, Friday marked Iran’s 3rd Annual Tehran Auction at Hotel Parsian Azadi in Tehran. By every account a phenomenal success, the Tehran Auction sold out the entire collection at an average of 83% above the high estimates! The auction achieved a total of 5.1 million dollars – almost double the amount achieved at last year’s auction.
It is a testament to the strength and vivacity of Iran’s contemporary art scene that the auction results have grown in such exponential, record-breaking numbers. Sohrab Sepehri’s Untitled (from the Tree Trunk series) sold for $680,000 dollars, Reza Derakhshani’s The Hunting Blue Sky for $227,000 dollars, and Mohammad Ehsai’s Love for $219,000 dollars, setting national records. Young and emerging artists such as Dana Nedaran, Shahriar Ahmadi, and Babak Roshani-Nejad also did exceptionally well. You can view the full auction results here.
Our very own director, Homa Taraji, was fortunate enough to be in Iran at the time and worked to support the auction. Scroll through her photos below, showing us behind the scenes at Tehran Auction 2014:
Third Tehran Auction | 2014
The third Tehran Auction will take place this Friday, May 30, at Tehran’s Hotel Parsian Azadi. The auction will feature works by the great established names of Iranian contemporary art, such as Parviz Tanavoli, Aydin Aghdashloo, Sohrab Sepehri, Mohammad Ehsai, Charles Hossein Zenderoudi, and Farideh Lashai, as well as emerging artists.
The lots will be available for viewing today and tomorrow, and the auction begins on Friday at 6 PM local (Tehran) time. There is a beautifully rendered digital catalogue accessible through their site, here.
The Tehran Auction is a privately developed initiative organized by former head of the Tehran Museum of Contemporary Art, Dr. Alireza Samiazar. It began as “an endeavour to fulfill the increasing interest in modern and contemporary Iranian art and to facilitate the acquisition of the best quality works of various genres. It also aims to support the domestic art market as a key basis for the international market.”
Our very own director, Homa Taraji is currently in Tehran, in support of the auction so hopefully we will have exciting information and images for you, soon!
Last year’s auction sold out the entire collection, generating 2.1 million dollars (65,450,000,000 Rials)! You can watch the auction live, here, to see what this year’s auction brings in.
Unedited History Iran | A Fresh View of Art and Visual Culture in Iran, 1960 – 2014
Check out what looks to be a fabulous exhibition about contemporary Iranian art from the 60s until the present. Do we have major Paris envy right now? Mais oui, mes amis!
[Source: www.mam.paris.fr via Tavoos Online Magazine]The Museum of Modern Art in Paris will host a group exhibition of works by some of the greatest Iranian contemporary artists. Entitled “Unedited History, Iran 1960-2014”, the exhibition kicks off on May 16, 2014.
The Musée d’Art Moderne de la Ville de Paris is presenting UNEDITED HISTORY, Iran 1960-2014 at ARC. Comprising over 200 works for the most part never shown in France before, the exhibition brings a fresh eye to art and visual culture in Iran from the 1960s up to the present. Its survey of the contemporary history of the country is arranged in sequences; the years 1960–1970, the revolutionary era of 1979, the Iran-Iraq war (1980–1988) and the postwar period up until today.
Bringing together twenty artists from the years 1960–1970 and representatives of the new generation, the exhibition focuses on painting, photography and cinema, as well as key aspects of Iran’s modern visual culture: posters and documentary material ranging from the Shiraz-Persepolis Festival of the Arts to the revolutionary period and the Iran-Iraq war. Whether already historic figures (Bahman Mohassess, Behdjat Sadr, Kaveh Golestan, Bahman Jalali) or members of the contemporary scene (Barbad Golshiri, Arash Hanaei and others), all the artists base their work on a critical approach to form and media. Down the generations, they have played their part in a reassessment of the way the political and social history of their country has been written. The exhibition and its accompanying book invite us to broaden our perception of Iran and its modernity.
Director: Fabrice Hergott
Curator: Catherine David, Odile Burluraux, Morad Montazami, Narmine Sadeg, Vali Mahlouji – Archéologie de la Décennie FinaleARTISTS ON SHOW
Morteza Avini (1947-1993), Mazdak Ayari (né en 1976), Kazem Chalipa (né en 1957), Mitra Farahani (née en 1975), Chohreh Feyzdjou (1955-1996), Jassem Ghazbanpour (né en 1963), Kaveh Golestan (1950-2003), Barbad Golshiri (né en 1982), Arash Hanaei (né en 1978), Behzad Jaez (né en 1975), Bahman Jalali (1944-2010), Rana Javadi (née en 1953), Khosrow Khorshidi (né en 1932), Bahman Kiarostami (né en 1978), Parviz Kimiavi (né en 1939), Ardeshir Mohassess (1938-2008), Bahman Mohassess (1931-2010), Morteza Momayez (1935-2005), Tahmineh Monzavi (née en 1988), Mohsen Rastani (né 1958), Narmine Sadeg (née en 1955), Behdjat Sadr (1924-2009), Kamran Shirdel (né en 1939), Kourosh Shishegaran (né en 1944), Behzad Shishegaran (né en 1952), Esmail Shishegaran (né en 1946).
Archaeology of the Final Decade presents Festival of Arts, Shiraz-Persepolis and Kaveh Golestan – Shahr-e No.Published by Paris Musées, Unedited History, Iran 1960–2014 oscillates between past and present, combining details of the works with critical essays and historical documentary material and bringing a fresh perspective to local-global interaction in the Iranian art context. Among the authors: Vali Mahlouji, Bavand Behpour, Hamed Yousefi, Anoush Ganjipour, Catherine David and Morad Montazami. There will also be a selection of texts going in greater detail into the issues raised by the exhibition.
A program of encounters, talks and screenings will accompany the exhibition which will run until August 24, 2014 at the Musée d’Art Moderne de la Ville de Paris.
Tehran Graphic Design Week, 2014
[Source: Tehran Times; Image source: Tehran Graphic Design Week Facebook]The Tehran Graphic Design Week opened at the Iranian Artists Forum on Sunday with a display of posters by a group of young artists in an exhibition entitled “Minus 30”.
Works by 168 graphic designers aged less than 30 and all coming from across Iran have been put on show at the exhibit, the forum reported in a press release on Sunday.
All the works on display have been selected by a jury panel including Qobad Shiva, Majid Abbasi, Alireza Mostafazadeh and Tahereh Mohebbi.
A solo exhibition displaying works by veteran graphic designer Abbas Saranj has also been set up, while an honoring program has been arranged on the sidelines of the exhibit.
In addition, a selection of works by German graphic designer Fons Matthias Hickmann (born 1966) has been put on display in an exhibition on the side section.
Hickmann is a professor of communication design at the Berlin University of the Arts. He founded “Fons Hickmann M23” studio which focuses on the design of complex communication systems.
The exhibit will be running for one week in the forum located on Musavi St., off Taleqani Ave.
The weeklong program has been organized by the Iranian Graphic Designers Society under the auspices of the International Council of Graphic Design Associations (Icograda) to celebrate April 27, which is World Graphic Design Day.